Richard Bright
10 Films
Richard Bright
10 Included Films

From Wikipedia, the free encyclopedia. Richard J. Bright (June 28, 1937 – February 18, 2006) was an American actor best known for his role as Al Neri in the The Godfather films. Description above from the Wikipedia article Richard Bright, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Director: Francis Ford Coppola

Director: Francis Ford Coppola



All pre-4K BDs (Twilight Time US, Suevia Spain, Imprint Australia, Koch Media Germany) are the same, and significantly better than the 4K restoration (Shout Factory, Arrow, Kino Lorber), and a bit better than the MGM NTSC DVD.

All pre-4K BDs (Twilight Time US, Suevia Spain, Imprint Australia, Koch Media Germany) are the same, and significantly better than the 4K restoration (Shout Factory, Arrow, Kino Lorber), and a bit better than the MGM NTSC DVD.

The new Universal 4K is AI upscaled https://slow.pics/c/5jD2BjKT and sharpened, see discussion on BR https://forum.blu-ray.com/showthread.php?t=377660&page=9

The new Universal 4K is AI upscaled https://slow.pics/c/5jD2BjKT and sharpened, see discussion on BR https://forum.blu-ray.com/showthread.php?t=377660&page=9



Director: John Schlesinger

Director: John Schlesinger



251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italy subs in some parts
251 min cut: Italy Eagle Pictures Blu-ray better encoding than Fox Blu-ray
139 min cut: VHS?
Eagle Pictures 4K Blu-ray from nic's review. Will wait for the caps to decide whether it's better than previous Blu-ray
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.US theatrical cut is infamously bad, was panned at release and never re-released on home video.

251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italy subs in some parts
251 min cut: Italy Eagle Pictures Blu-ray better encoding than Fox Blu-ray
139 min cut: VHS?
Eagle Pictures 4K Blu-ray from nic's review. Will wait for the caps to decide whether it's better than previous Blu-ray
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.US theatrical cut is infamously bad, was panned at release and never re-released on home video.

Director: Walter Hill
Eagle Pictures Italy > StudioCanal Britain, better compression than StudioCanal

Director: Walter Hill
Eagle Pictures Italy > StudioCanal Britain, better compression than StudioCanal

Paramount 4K Blu-ray set caveat: inferior encoding on the original cuts of Part III

Paramount 4K Blu-ray set caveat: inferior encoding on the original cuts of Part III
10 films